h. Reply. I have updated to Adobe Premiere Pro 2022 and the surface has changed. Neil. You can pick other formats than ProRes. Go to Sequence > Sequence Settings > Editing Mode: > Custom. Next project I'm going to try ProRes LT proxies and remove the timecode window, so I can try a smart render, the advantages of that look worthwhile. 264 is widely used for online streaming due to its high compression efficiency, it sacrifices some image quality. 264 but rather prores of cineform. Press OK to save the changes. On the custom tab with QuickTime format, the codec options I have are: DNxHD, DNxHR, Gopro Cineform, Grass Valley, H264, H265, Kakadu JPEG, MPEG, Photo JPEG and Uncompressed. ProRes is only standard because of apple ecosystem. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). This tutorial will gui. Studio for >=4k/Dolby P3D65. Very confusing, especially when someone could choose "Low" in Resolve and get Cineform Medium, or "Least" and get Cineform Low! BMD Pocket 4K / MacBook Pro 16" (6-core, 32GB RAM. An iPhone 13 (ProRes) can shoot 4K videos that are 5. To export a file using Adobe Media Encoder, select a format in the Export Settings dialog box for the output. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. GoPro Cineform is a high-quality codec, similar to ProRes and DNxHD, in that it is optimized for high quality and efficient editing. It's quite easy to „prove“ though. DPX, or any other combination, you’ve come to the right place. Everything in the folder is reencoded from 4k h. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. 264/265 - Shutter’s got better codecs ;-) Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. I am a paying customer. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. DPX, or any other combination, you’ve come to the right place. 360 - File Size 3. ProRes is going to be 1,000,000% smoother to edit than any of the in-camera codecs. 5GHz, 32GB, GTX1070 테스트 방법 : 각 코덱으로 인코딩된 파일을 프. Su sistema de compresión que explico en el video El mejor códec para editar videos hace que se obtenga:. ProRes 4444 XQ is supported on OS X Mountain Lion v10. Upvote Translate. To download the Arri Alexa ProRes 2K and 1080p files you will need to access their FTP server and browse to the folder with the correct footage. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. 5 slower than realtime. NLE software from any manufacturer (Premiere Pro included) will have much better performance during playback with these intermediate formats. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. I used Cineform codec for years. CineForm Intermediate is an open source (from October 2017) video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. 화질 테스트. 264 to something else is probably a good thing. . Daniel2 vs ProRes, DNxHD, XAVC, etc. I have to disagree with Philip on this one – hard drives are cheap – I’d go with ProRES HQ. ProRes is originally deveoped for high-quality editing in Final Cut Pro. Use Shutter rather than Media Encoder for h. Well. 264 is terrible to edit with. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). Originally Posted by Cornucopia. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. 264 and HEVC are optimized for distribution. The Apple ProRes 422 HQ format can handle native 10-bit per channel color depth vs. For lossless source videos, the Apple ProRes is a good choice. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. on other cases (especially with graphics) it can give poor results; Jpeg2000 - did not know it could carry Alpha will give you good results and. 1, MacOS 12. This is quiet slow (very slow), is it possible to use hardware acceleration to decode/encode the media files into ProRes? Add -q 4 to the command. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video. To download the GH4 ProRes LT files at 4K resolution click here. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill). Exporting out of one generation (camera originals) of H. Read below to explore more about this codec and what is unique comparing to other similar codecs like CinemaDNG and ProRes RAW. The added benefit is much faster exporting by using smart rendering. 264. mov master file itself, but rather only when I try to re-encode from that master. Codecs designed for editing (DNx, Pro Res, Cineform) will performance WILDLY better than h. 9 GB - 66,398 kbps overall (2 hevc video streams of 29,968 kb/s) 5. No idea what projects you do, but I would stick with ProRes (XQ if you really want 4:4:4 and high quality) or DNxHR or Cineform (best quality option). Earlier this year, Adobe started selectively supporting ProRes Raw, but only for Windows users running Nvidia GPUs. mp4 HEVC 444 10bit/16bit. As you can see, blocky artifacts are still. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. Exporting out of one generation (camera originals) of H. ProRes vs H264 Discussion I know that prores is the better editing codec, but just wanted to clarify a few things:. The CineForm codec has been in development for 16 years, overseeing many innovations in the video production market: it ushered transition from standard definition to HD, and it was. 3 on macOS 11. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Documentation & downloads. Unlike ProRes, CineForm is a. 💡 We recommend switching from H. ProRes, DNxHD or Cineform : Cinema 4k 4,096 x 2160: 1024×540 (1/4 size of full res) ProRes, DNxHD or Cineform: FHD (Full HD) 1920×1080: 480×270 (1/4 size of full res) ProRes, DNxHD or Cineform:. Apple ProRes support: With the latest Adobe updates, export presets for Apple ProRes, including ProRes 4444 and ProRes 422 formats are available within Premiere Pro, After Effects, and. The peer to peer support community for media production professionals. Intermediate vs Long-GOP in a nutshell. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. So with Cineform, if a frame needs 30 bits, it'll get all 30 bits, whereas ProRes and DNx will limit the bitrate to 20, thus reducing quality. 5) 4. ) So I think I need to edit it with cineform, DNxHD, or HuffYUV CODEC, but I have a few more questions. Whereas the bit rates for compressed codecs are usually in the double digits, these higher end codecs’ bit rates are often hundreds and sometimes even thousands of megabits per second. Short Answer: YES, we still need them and will continue to for a while. Note these are from the pre-production camera, firmware v0. you may need better quality. The added benefit is much faster exporting by using smart rendering. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. 7. As a result, ProRes 422 offers even better real-time editing performance. Translate. 2K and in 4K, both in Cineform, and then viewed them with GoPro VR 3. 10bit Cineform 5 (avg: 62. 264 is terrible to. The guys at Blackmagic Design don’t sleep. 1. Votes. If you like using VirtualDub for your video processing and playback tasks, then you are bound to like VirtualDub2 even more. To create proxy. As opposed to say the long-GOP (group of pictures) format H. ”. FYI, ProRes encoding on Windows has been added to the Premiere Pro (and Media Encoder) 13. I am not the prosecutor in a court room here. 8. Could there be an alternative as well that doesn't have such massive file sizes as 422 HQ/HQX that is 10-bit so I can keep HDR? There seem to be some interesting alternatives like Cineform which I know nothing about. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Cineform supports resolutions up to 4K as well. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. 2, MacOS 12. It uses a lot of cpu power to decode and display the data in h. Much like the H. You won't want less than ProRes 422 HQ for final results anyway. FFMPEG can decode and encode it with alpha. Originally Posted by Cornucopia. Part 2. GoPro CineForm avi RGB 16‑bit Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10 ‑bit mov – Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10‑bit, RGB 16‑bit. Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). 6. professional. On a Mac I recommend the FTP client app ‘Transmit” by Panic. So ProRes, DNx and Cineform qualify. Could there be an alternative as well that doesn't have such massive file sizes as 422 HQ/HQX that is 10-bit so I can keep HDR? There seem to be some interesting alternatives like Cineform which I know nothing about. Even if it's screen recorded and then saved as ProRes, it's still and end-of-workflow format. agent42b • 7 yr. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. It must decode every frame fully. you can found on cineform documentation. 3 Most Popular Intermediate Codecs There are three main intermediate codecs that are industry standard: Apple ProRes GoPro's CineForm Avid's DNX Export. ago. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. We’ve done a ton of testing with DSLR footage to various codecs – on the Mac side ProRES HQ is great – no reason to go lower quality especially if you plan to take into Color or similar for timing/fx. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. Full list of. So much better. Original . Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). It's lossy and it's size is worse than lossless FFV1. The encoded pixel format is based on the color depth and alpha channel settings that you select in the Export Settings dialog in Premiere Pro. 8. The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up, wadded up, "properly" folded, on a hanger. ffmpeg -i <input file> -c:v prores_ks -profile:v 4444 -vendor ap10 -pix_fmt yuv444p10le -acodec pcm_s16le output. Only today I noticed something weird in the file sizes: 5 Second clip from after effects to AME (using the new "queue in AME" from render panel) in Cineform 12bit - no alpha: quality 4 > resulting file is ~700MBRitterRunkel wrote:Consumer vs. ProRes 422. There’s more tech involved. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. 2K to see the difference between them. Render your Timeline as you go, or at least before exporting. Render any clips that do not playback well or if they have effects applied to them. To create proxy. Neil. 264 is rather slow) but that's okay. 5 GB per minute. 1. h. 3GB - 684,847 kbps. ago. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. 1. with actual version of cineform you can use command line to convert DNG to cineform raw, i did it with a simple . Intermediate vs Long-GOP in a nutshell. GoPro Cineform is a. 1 megabytes = 1024 kilobytes; 1 kilobyte = 1024 bytes; 1 byte = 8 bits; So 70778880 bits = 70778880/ (8 x 1024 x 1024) MB = 8. 3, MacOS 12. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. 6. native CineForm codec. NOTE: Here’s an article I wrote a few months ago that describes the HEVC codec in more detail. By default, the source range is set to the work area. Meaning that all frames are complete data-sets for that frame. Great image quality, with file sizes 30-35% smaller than ProRes 422 HQ. The frame size. We would like to show you a description here but the site won’t allow us. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). Quality descriptors in Cineform are bit depth and resolution agnostic in both YUV and RGB defined by the wavelet algorithms applied. As an animator I always choose intermediate over lossless – partly because I’m too lazy to install Lagarith Lossless again, and partly because there is no quality difference visible to the human eye between lossless and intermediate. GoPro CineForm，无论是在Windows还是Mac OS. 2 Upvotes. No alpha;ProRes 422 es un formato que fue diseñado por la marca Apple y que ha formado parte de su programa de edición Final Cut y más tarde en el Final Cut Pro. So. It uses clever code to compress the raw data and a set of metatags to describe how the raw data is handled (for example ISO and white balance). The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up. Alpha Channel support. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. Going directly to the creator of the files provides a much, much better chance of getting files that are good for editing. But all this not visible for human eye. Apple ProRes 422 is a high-resolution compression format from Apple. Render previews of any clips with effects and clips that are not the same as the new. I bought the Canon R5 a few months ago and have been really enjoying using the camera, but of course I've been working on my proxy workflow because…Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. Everything in the folder is reencoded from 4k h. Alpha Channel support. If you need a second choice, the . 26X series (The newest is H. Exporting to a QuickTime format will actually give you a few codec options with alpha channels. MP4, there are a few others that you can use instead. You will get a dialog with the options for QuickTime format in the export settings. ProRes 4444 vs GoPro Cineform for color. PCs can easily play back and edit ProRes files, but you can’t encode new ProRes files on a PC as easily as DNxHD, and so some editors prefer a DNxHD workflow for that reason. In this video I show and discuss the differences between. mov ProRes 4444 XQ 10bit. 4. Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. Function: h. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. Re: Cineform 16bit RGB small note. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. Below is the normal. 6. For a look at ProRes in 2009, check out Gary Adcock’s article here, and for the modern, official details, check Apple’s white paper: PDF link. Downscaling UHD (4K) to 1080p also results in smaller and friendlier files size and bitrates for older/legacy devices to handle (PC, Bluray player, Media player, HD TV, tablet,. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. 1) 6. Yes, ProRes 422 is vastly better than any H. If, for some reason, you can't use or don't want to use . Examples are ProRes, Cineform, and DNxHR. mp4 -y. If you aren't making that many edits and primarily have talking heads and a bit of broll you'll probably be okay. With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. bat file. YouTube recommends uploading videos in MP4 using the H. The proxy formats you've mentioned are high quality intermediate codecs. The biggest benifit of going straight to ProRes is the low decoding overhead. Given the additional requirements for 5K (limited to Cineform or Prores, more demanding hardware), you may want to consider using 4K instead. There was a noticeable difference between 4K ProRes and 4K H. There’s also no word if the ReelSteady plugin for After Effects will be updated. mov -map 0 -codec:v libx264 -g:v 1 -profile:v high -tune:v fastdecode -pix_fmt:v yuv420p -crf:v 25 -movflags +faststart myfile_proxy. Avid's DNxHD/R is a great codec, as is ProRes, they have "flavors" that are very close to each other. 4 Replies Nils Welter February 23, 2015 at 10:21 pm Hey Matt, Premiere Pro can also handle DnxHD Footage wrapped in MXF Container with better performance. Software. 16-bit TIFF image sequences. 264. Video Space Calculator. Learn more about how Final Cut Pro detects and converts incompatible media files. These are stored in a file structure containing the image. It definitely looks like an issue with the luma values being too high but for me the problem isn’t apparent with the DNxHD . Premiere and Resolve since the whole Quicktime issue can now play prores natively in the newer updates. Apple ProRes is a high quality intermediate codec used for insanely fast editing performance, at the cost of extreme CPU, Memory and Disk requirements compared to other codecs. Except for Adobe, it seems that it is impossible to encode Prores CODEC in Windows os. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. Don’t get it confused with other compressed codecs like ProRes or H. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. This lets you take advantage of smart rendering. ProRes HQ (avg: 61. Premiere’s default installation also includes other common workflow. The author states: "This is much bigger of an issue than I thought originally. Exporting out of one generation (camera originals) of H. Check the Export Alpha option and change the file name as needed. I've never seen anything like that out of Media Composer. The one odd thing about this implementation is that there are no controls to set bitrate. ProRes, DNx and Cineform are all optimized for editing. I know a good number of people starting using Cineform again. It will show you the bitrate of. Format. One key advantage of filming in UHD (4K) over HD (1080p) is its superior viewing experience when displayed on HD 1080p viewing devices. This is a beauty of Cineform. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes. I used it long before either GoPro or LWKS were on the market. For Preset, select Apple ProRes 422, normally called just ProRes, or Go Pro CineForm YUV 10 bit. 264. It's not ProRes that is buggy, as hundreds of high-quality productions in that codec prove. Otherwise you can upload ProRes, Cineform, high bitrate h264/5 etc and you will get visually the same quality as youtube adds a lot of compression on top of every uploaded source. But you'd really need to do an A/B comparison to notice. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. ProRes 1080 is around 115Mbps. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。Because h. Re: Cineform or DNxHD intermediates for editing in Resolve 1. The only thing is ProRes LT is almost the same file size as the original footage, so its not ideal. 9-inch (3rd generation) and later; iPad Pro 11-inch (1st generation. Common codecs include the H. So much better. I am pretty happy with the results and files works smoothly on both workstations, windows and osx. 264 media. Give your preset a name and when you save it, it will save to your computer with a ". Both Cineform and Prores are designed to allow the fast decoding of fractional resolutions. I havent used Cineform since before 2015 since it doesnt have any Proxy flavors and for the same visual quality DNxHR and Pro Res look and perform better. Hi, Thanks for the advice. One of the best and most versatile codecs is GoPro Cineform (which is found under the QuickTime format). So we’ve scoured the Internet and brought them all into a single page. 264 files to a 4:2:2 using NeoScene to coddec of Cineform 422 on the ProRes 422 with MPEG clipstream or Adobe Media Edcoder? Thank you. They are also 12bit, with some issues. It has a target data rate of 102 Mbps. Reply. On the contrary DaVinci Resolve can support MOV with many codecs: MOV Apple ProRes 422, MOV Apple ProRes 4444 XQ 16 bit, Cineform 3D 16 bit, Cineform YUV 10 bit,. Probably slightly better IMO, but both should be visually lossless. 2) 5. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. 6k VR footage that was shot on a gopro and output into cineform. Una mayor calidad de las imágenes en cuanto a detalles y color durante. Studio for >=4k/Dolby P3D65. I'd say that translates into a minimum of 500Mb/s for UHD (take about 3/8 of that for HD) without any significant loss for ProRes and DNxHx. 264等面向分发的格式解码更简单。. Reduce Playback resolution to the lowest it will go. In most cases, ProRes is a better choice than MPEG for. Cineform is best if your project will be going cross-platform at any point. You’re in very good company if you don’t understand, intuitively, why one type of codec is better than another - and, specifically, why an I Frame-only codec like ProRes or DNxHD is better than a long-GOP one like H. And we’re talking intermediate codecs, here, we’re not covering camera codecs. 264 and HEVC have poorer quality than ProRes, for example. However, if you have a weaker CPU or are doing CPU-intensive effects you might want a codec like Cineform. 264 didn't have 10-bit implementations and H. I've recently been requested to output my work using Prores 422 for a large film event. In between are simple data sets of pixels. 摘要. MXF should work as that is also SONY. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. While H. Cineform is fine but Pro Res and DNxHR are far better and have lower bitrate flavors. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. Recording formats. avi -q3 -f23. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. if media is compressed using independent frames, rather than GOPs – for example, ProRes, DNx, Cineform, XDCAM and several others – it is considered optimized and FCP won’t optimize media that. 1 Correct answer. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Additionally, ART supports QuickTime/ProRes or MXF/ProRes, as well as the CODEX HDE (High Density Encoding) file format. The full frame wavelet as a subject quality advantage over DCTs, so you can compression more without classic. g. It is equivalent to Prores 444 HQX more or less. Translate. Check 'Max Quality'. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. Lots of software—including all of the major NLEs (Non-Linear Editors)—can decode ProRes on Windows. Prores a little bit better than Cineform. These become the new master files from this moment forward. First up is Avid DNxHD 175 8-bit. The Adobe Media Encoder program will automatically open. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. I wanted to see how they'd compare in a real-world example. WMV: WMV stands for Windows Media Video. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. Here's the details: Add your composition to the render queue (NOT Media Encoder). Votes. Fast forward to today, I learned about DNxHR and Cineform. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Aug 19, 2022. Codecs are invented to compress and decompress multimedia data in your video file in either a lossy or a lossless manner. Report. 264, h. - LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. 8-1. Re: cineform raw vs prores « Reply #1 on: June 10, 2013, 04:59:16 AM » Cineform made patterns in my footage when converted directly, going from for instance AE to cineform is fine tho. The Inspector also provides a way to monitor codecs. The calculate bitrate is ~235Mbps which makes this a less fair comparison; it puts Cineform closer to Apple ProRes4444 and Avid DNxHD 220. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Where it says 'Preset' click on this and then select 'Custom'. It has a target data rate of approximately. 265, vp9, dnxhd, cineform and prores. 264 to something else is probably a good thing. And, BTW, ProRes is a codec, while QT is both a container and a (soon obsolete) framework. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate. MP4, this way you can have more control over your. My source files are already 4K ProRes MOVs, but since Premiere on Windows can only decode ProRes, full-res performance is pretty sluggish even at 1/4 the resolution. In the Create Proxies window select the proper format and preset → specify the location where you want to store created proxies files → click OK.